| Commit message (Collapse) | Author | Age | Files | Lines |
|---|
| |
|
|
|
|
|
| |
With these methods, an output plugin can allocate some global
resources only if it is actually enabled. The method enable() is
called after daemonization, which allows for more sophisticated
resource allocation during that method.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Tracking the "elapsed" time from the chunks which we have sent to the
output pipe is very imprecise: since we have implemented the music
pipe, we're sending large number of chunks at once, giving the
"elapsed" time stamp a resolution of usually more than a second.
This patch changes the source of this information to the outputs. If
a chunk has been played by all outputs, the "elapsed" time stamp is
updated.
The new command PLAYER_COMMAND_REFRESH makes the player thread update
its status information: it tells the outputs to update the chunk time
stamp. After that, player_control.elapsed_time is current.
|
| |
|
|
|
|
| |
Synchronization with the output thread will be implemented in
output_all.c, not in player_thread.c. Currently, that's just a simple
g_usleep(1ms).
|
| |
|
|
|
|
|
|
| |
This updates the copyright header to all be the same, which is
pretty much an update of where to mail request for a copy of the GPL
and the years of the MPD project. This also puts all committers under
'The Music Player Project' umbrella. These entries should go
individually in the AUTHORS file, for consistancy.
|
| |
|
|
|
|
|
|
| |
Instead of passing individual buffers to audio_output_all_play(), pass
music_chunk objects. Append all those chunks asynchronously to a
music_pipe instance. All output threads may then read chunks from
this pipe. This reduces MPD's internal latency by an order of
magnitude.
|
| | |
|
| |
|
|
| |
Renamed functions and variables.
|
|
|
Moved code which deals with all audio outputs at once into a separate
library.
|
