| Commit message (Collapse) | Author | Age | Files | Lines |
|---|
| |
|
|
|
|
| |
This function replaces the replay_gain_info parameter for
decoder_data(). This allows the decoder to announce replay gain
changes, instead of having to pass the same object over and over.
|
| | |
|
| |
|
|
|
|
| |
This patch prepares support for floating point samples (and probably
other formats). It changes the meaning of the "bits" attribute from a
bit count to a symbolic value.
|
| |
|
|
|
|
| |
Remove the audio_format attribute, add "frame_size" instead. The
audio_format initialization and check is moved both to
flac_data_get_audio_format().
|
| |
|
|
|
|
|
|
|
| |
Don't update a float timestamp, this will make imprecisions add up
after a while. We already have the number of the current frame, let's
just calculate the float timestamp from that for every decoder_data()
command. For this, we need to add the attribute "first_frame", for
CUE sheet songs.
|
| |
|
|
|
|
| |
Removed the "bit_rate" attribute from the flac_data struct. Pass the
number of bytes since the last call to flac_common_write(), and let
it calculate the bit rate.
|
| |
|
|
|
|
|
| |
We don't want to work with floating point values if possible. Get the
integer number of frames from the FLAC__StreamMetadata_StreamInfo
object, and convert it into a float duration on demand. This patch
adds a check if the STREAMINFO packet has been received yet.
|
| | |
|
| |
|
|
| |
We need this for more exact end-of-subsong detection for CUE files.
|
| | |
|
| | |
|
| |
|
|
|
| |
Simple (up-rounding) integer division is good enough. We're casting
the result back to an integer anyway.
|
| | |
|
| |
|
|
|
|
| |
This is a great simplification for flac_common_write(), because we can
convert and submit all of the buffer in one turn. No more partial
buffers with complicated formulas.
|
| |
|
|
| |
Clean up tag and replay_gain_info there.
|
| |
|
|
|
|
|
|
| |
The cue sheet embedded in a flac file doen't contain any information
about track titles and similar. There are three possibilities: Use an
external cue sheet that includes these information, use a tag CUESHEET
with a cue sheet including these information or use tags. I think the
latter is the best option and is already used by other projects.
|
| |
|
|
|
|
|
|
| |
This updates the copyright header to all be the same, which is
pretty much an update of where to mail request for a copy of the GPL
and the years of the MPD project. This also puts all committers under
'The Music Player Project' umbrella. These entries should go
individually in the AUTHORS file, for consistancy.
|
| |
|
|
|
|
|
|
|
| |
So far only seekpoints are supported, so no proper tagging yet
except for track number and track length.
Tagging should be done by parsing the cue sheet which
is often embedded as vorbis comment in flac files.
Furthermore the pathname should be configurable like "%A - %t - %T",
where %A means Artist, %t track number and %T Title or so.
|
| |
|
|
|
| |
The plugin queries build-time configuration variables, and should
include config.h.
|
| |
|
|
|
| |
Free the tag object when it turns out to be empty. This simplifies
several functions and APIs.
|
| |
|
|
| |
Renamed types, functions, variables.
|
| | |
|
| |
|
|
| |
Renamed functions and variables.
|
| |
|
|
|
|
|
| |
"LOG_H" is a macro which is also used by ffmpeg/log.h. This is
ffmpeg's fault, because short macros should be reserved for
applications, but since it's always a good idea to choose prefixed
macro names, even for applications, we are going to do that in MPD.
|
| |
|
|
| |
Everybody should use struct input_stream.
|
|
|
These plugins are not input plugins, they are decoder plugins. No
CamelCase in the directory name.
|
